Fans of Quentin Tarantino know that he has a foot fetish. For those unfamiliar with the term: it's when a man has a particular fascination with women's legs, and even more so with their feet. It's safe to say that Quentin Tarantino is the most famous foot fetishist in the world.

Let's start with Quentin Tarantino's first real film - Reservoir Dogs (1992). I'm skipping "My Best Friend's Birthday", as it was never officially released.

There's nothing related to foot fetishism in Reservoir Dogs: the film features only tough men. Women appear only briefly in a few background scenes. I found just one scene where a woman is shown in the foreground - the carjacking moment.

Daniel Roe (author of Nuxt) reports that a new npm package will now be used for route analysis:


https://github.com/nuxt/nuxt/releases/tag/v4.4.0

Performance improvements are always good. But what's happening under the hood? Looking at the GitHub changes:

In The Fifth Element, there's a brief and easily overlooked scene in the middle of the movie where a spaceship takes off toward Fhloston Paradise. It only lasts a couple of seconds, but if you pause and take a closer look, you'll notice an interesting detail from the director.

I've numbered the key spots in the screenshot.

What we see is New York of the future. The ocean level has dropped dramatically, making the city look almost unrecognizable. The only question is - where could all the water have gone for sea levels to fall that much?

1 - The Statue of Liberty. It looks taller because of the extended base underneath.
2 - This marks the future ocean level. Somehow the ice caps didn't melt to add more water to the seas. Did humanity ship the water off to other planets?

3 - Manhattan, 4 - Brooklyn, 5 - The Brooklyn Bridge connecting them. With the water gone, the bridge is now spanning a canyon instead of a river.

And on what used to be the ocean floor, they've built a spaceport.

In his films, Woody Allen consistently uses the same typeface in the opening and closing credits. Midnight in Paris (2011):