In his films, Woody Allen consistently uses the same typeface in the opening and closing credits. Midnight in Paris (2011):
The same typeface appears in Vicky Cristina Barcelona:
Blue Jasmine (2013). Notice the elegant ampersand symbol in the second image:
This typeface is called Windsor Light. Match Point:
Irrational Man - the same well-recognizable serif typeface:
The same font was used in Annie Hall (1977) and Manhattan (1979) as well. So for half a century now, Woody Allen has not changed the typography of his film credits. Simply amazing!

















